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Photo by Brandon Few
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Photo by Brandon Few
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Photo by Brandon Few
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Photo by Brandon Few
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Photo by Brandon Few
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Photo by Brandon Few
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Photo by Brandon Few
Mychael Barratt
Further images
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Woodcut and linocut on paper
Signed and titled in pencil
Numbered from the edition of 30
Image size: 1980 x 1000 mm
Paper size: 2090 x 1100 mm
Please contact the Studio on 0207 407 6561 to discuss framing options and prices
Mychael Barratt: Guernica at the Whitechapel Gallery
Inspired by the tragic bombing on 26 April 1937 of the small Basque town of Guernica, Pablo Picasso painted his masterwork for the Spanish Pavilion in the 1937 Paris International Exposition. Picasso was working to a very tight deadline and prepared the vast canvas on 11 May and took just over a month to complete the work. With the Spanish Civil War raging and the impending threat of war in Europe, Guernica had become an ever more powerful anti-war symbol. It was decided that the painting should be sent to New York and remain at the Museum of Modern Art for safekeeping. En route, it was displayed briefly at the Whitechapel Art Gallery. Picasso was so keen that the painting should be viewable by everyone that he said that people who couldn’t afford the price of entry could enter if they donated an old pair of boots. People placed their boots at the base of the painting and at the end of the exhibition, the boots were gathered and taken to the front in the Spanish Civil War and handed out to the largely civilian Republican army.